The 1000++ Artworks of media Oil On Panel and containing the word anne louis girodet de roussy trioson, oil on panel, 1800

Self-portrait of the painter Matthew Ignatius van Bree.

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Self-portrait of the painter Christoffel Frederik Franck, in an oval frame with palette and brush in hand for an allegorical performance.

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Landscape. Farms along a road on the edge of a village. A man sitting on a wheelbarrow makes a chat with a shepherd.

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Ecce gay. Christ, crowned with thorn crown, is shown to the people. Standing, halfway between two men.

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Still life with flowers and fruit. On a marble plinth are grapes, peaches, plums, oranges, wheat halves, corn and vines. Behind the fruit is a glass vase with roses and some other flowers. Among the fruit are butterflies and flies.

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View of the Nieuwe Gracht at the Bolwerk in Haarlem. Between the trees a man moors a barge by the quay. In the background some buildings and a stone bridge.

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The proclamation to Mary. On the left, the kneeling Mary behind a bookless lessonr, on the right, the kneeling angel with lily branch. Previously considered as a preliminary study for the performances in Amsterdam (SK-A-282) and Seville.

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Interior of a house with a woman sitting at a table cutting bread. On the table is a booklet, a tin can, a glass and bowls with butter and cheese. Behind the table is a boy with his hands folded on the belly. On the floor by the woman's feet is a dog. Against the back wall hangs a violin with bow.

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Show titled 'Become a Painter.' A woman brings her son to a painter to become a painter. The painter sits in front of his donkey with a painting of a sea face, palette and brushes in his hand. The action is presented in a window, on the frame is a painting ski. Right against the wall a bird cage.

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The shelling or bombardment of 's-Hertogenbosch by the French during the siege of 1794, presumably in the night of 25-26 September. Nightpiece in which the firing cannons and crashing bombs brightly light up against the sky. In the foreground the French camp in Klein Deuteren with officers on horseb...

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Seascape with the Batavian fleet on wild sea for Veere, on November 9, 1800. Under the scene a caption: Sigt van een Gepartte der 1ste Divisie s'Lands Cannonner-boots op de Zeeuwsche streamen, commanded by den Capitain ter Zee Resterbooch; 'The accident of the Logger de Jou Jou, and 't Over Boord de...

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Family portrait of Aernout van Beeftingh (1759-1831) with his first wife Jacoba Maria Boon (1760-1800) and their children in an interior. The mother sits on her lap with the youngest son Nicolaas Marinus (b. 1796). On her left is Johanna Adriana (1787-1828), with a sock fair in her right and a hat i...

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The event depicted is recounted in Genesis 33:1-10. Jacob and his brother are reconciled following Jacob’s theft of his brother’s birthright by tricking their father Isaac. Beside Jacob are probably his wives Rachel and Leah with their children, behind are the cattle intended by Jacob as a gift for ...

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Although the status of the signature is uncertain, there is no reason to doubt David Teniers II’s execution of this work. The panel maker has not been identified.10 The Salvator-size11 support is of a single piece of timber from a tree grown in the German Netherlandish region which would have been r...

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The painting was purchased ca. 1800 in Italy, by Adam Jerzy, the son of Princess Izabela Czartoryska, and donated to the Museum in Puławy where it was exhibited in the ‘Gothic House’ from 1809–1830.In Puławy, it was erroneously considered to be a portrait alluding to the beloved mistress of King Fra...

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In the 1630s, Thomas de Keyser was the most fashionable portrait painter in Amsterdam, his work being extremely popular with the city’s middle and upper classes. De Keyser’s paintings are characterized by a highly detailed, realistic style and by figures in rather formal poses. This manner of painti...

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There are few sites in the Roman Campagna as redolent of history and classical mythology as Lake Nemi. Located in the Alban Hills, around thirty-five kilometres southeast of Rome, this spectacular lake is formed from a volcanic crater and derives its name from Nemus Dianae, meaning ‘sacred wood of D...

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The scale of this work, which carries a date that may be read as either 1475 or 1479, indicates that the panel was intended to be used as a focus for private devotion on the part of the person who commissioned the work. It represents Christ as an ‘image of pity’. Jesus, displaying the wounds of his ...

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The initials on the reverse are those of the panel maker Michiel Vriendt, who became a master in the Antwerp guild in the accounting year September 1615 to September 1616. He died on 11 August 1637.10 He is known to have supplied supports to Hendrik van Balen I.11 The attribution of the figures to ...

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